songs

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg
Affichage des articles dont le libellé est 1990's. Afficher tous les articles
Affichage des articles dont le libellé est 1990's. Afficher tous les articles

lundi 23 juin 2014

DESERET (1995)

Posted on 04:09 by Unknown

Experimental/Avant Garde Cinema Week Day 1

There are several experimental or avant garde films on the 1001 movie list. In trying to figure out how to deal with them, I have tried to handle these often tough nuts to crack by just watching them and trying to answer ten basic questions about them on my personally devised standardized test. So let us begin with...

Deseret

1.What happens?
A narrator reads a series of New York Times stories about the Utah territory of Deseret as we simultaneously see shots of fields, deserts, waterfalls and livestock. The film starts off with black and white shots of American vistas, which I presume to be Utah. The narrator discusses such subjects as altercations between The Church of the Latter Day Saints and Native-Americans during the 1850’s. The narrator goes on to talk about Polygamy and organized violence as we see more shots of fields and deserts. We hear tales of Brigham Young and the Civil War interspersed with shots of… airplanes? We continue on into the 20th century with some color shots of what we might presume is the Utah territory and more news on the region through the World Wars and ending in the early 1990’s. To tell you the truth, I think I nodded off a bit between the part where Utah become a state and World War I.

2. Was it heavy? Did it achieve total heaviosity?
I don’t think it quite got there.

3. What was your favorite part?
I did like the way they incorporated the stories about Brigham Young into the mix. And frankly, the stories where they dished some dirt on ole B. Y. were pretty interesting.

4. What was your least favorite part?
I’m guessing that would be the early 20th century part when I nodded off. A little hazy on the details there.

5. Did you get it?
I think they were trying to tell a narrative in a different way. I get and respect that. That doesn’t mean I found it all that riveting. But I guess if I want something more exciting in this field I could always watch Ken Burns special about the National Parks!

6. Might the viewing experience have been enhanced from either prescription or non-prescription medication of some kind?
Not this time. Okay, maybe a couple of uppers to get through the slower parts.

7. What about the sex?You remember those condom commercials where they used to show wheat fields and vistas to avoid alluding to sex directly? I suppose when they showed the wheat fields and vistas during Deseret my mind occasionally wandered to thoughts of those commercials. And since condoms are related to sex…or the prevention of pregnancy…never mind…there isn’t any sex.

8. What about the violence?
There are some pretty graphic descriptions of massacres and the like, though since it is being read over waterfalls and livestock, it is up to the viewer’s imagination to visualize the carnage.

9. Describe this film in one sentence starting with "This is the film..."
This is the film that reminds be of some of those filmstrips I saw in elementary school where I would almost invariably ask my instructor, “Are we going to be tested on this?”

10. Would you watch it again?
Not unless it’s going to be on the test.



Read More
Posted in 1990's | No comments

mardi 25 février 2014

HENRY: PORTRAIT OF A SERIAL KILLER (1986), AILEEN WUORNOS: THE SELLING OF A SERIAL KILLER (1993), AILEEN WUORNOS: THE LIFE AND DEATH OF A SERIAL KILLER (2003)

Posted on 17:01 by Unknown
MOVIES I WATCHED BECAUSE I GOT A SUBSCRIPTION TO NETFLIX AND THEY WERE IN THE 1001 MOVIES YOU MUST SEE BEFORE YOU DIE BOOK MONTH 
 (Post 9 of 10)


HENRY: PORTRAIT OF A SERIAL KILLER

I decided since Netflix had three films with serial killer in the title that were also in the 1001 book that it was time to tackle a fun, fun triple feature!

After the brightly glowing glee that exuded from the screen from The Young Girls of Rochefort, Henry: Portrait of a Serial Killer brought me back into the abyss very quickly. Henry is a low budget fictional account of a girl who moves in with her no-account brother and his roommate named Henry, who just happens to be a murder! Though for the record, I disliked the no-account brother much more than Henry.

The fact that it is low budget actually helps with the effectiveness of the film. The characters seem real (which is disturbing in itself.). Some movies I'm glad I saw once and never plan to watch again. I don't plan to watch Henry again and I'm not even sure if I'm glad I saw it at all! But I can't argue that it effected me as a viewer... Even if that effect was to make me feel really depressed...Maybe I'll cue up The Young Girls of Rochefort again before I move on.

Director Nick Broomfield buys information
from Aileen Wuornos's attorney, Steve Glaser
in  AILEEN WUORNOS: THE SELLING OF A SERIAL KILLER 

Well, it looks like The Young Girls of Rochefort isn't on Netflix anymore, so I guess I'll just have to dive into Aileen Wuornos: The Selling of a Serial Killer.  Nick Broomfield's documentary is not so much about Aileen Wuoronos as it is about how those around her such as her ambulance chaser lawyer, her born-again friend who wants to "adopt" her and the police department who all use the situation of the seven (known) murders that Wuornos committed to forward their own agendas. Broomfield also puts himself squarely in the middle of the movie, and at times it seems it is a documentary about making a documentary, which is a slant that I did find rather interesting.

I also must admit I did kind of like Wuornos's pot-smoking, guitar playing, TV lawyer, Steve Glaser. Seems like a fun guy to hang out with. Though if I needed actual legal help, I would look elsewhere.

Wuornos comes across as being very self-serving and the contradictory nature of her personality is pretty frightening. Broomfield gets to interview Wuornos at the end of the movie and she actually claims that she killed in self-defense on seven different occasions!

Director Nick Broomfield listens to yet another confession from Wuronos
in AILEEN WUORNOS: THE LIFE AND DEATH OF A SERIAL KILLER

Aileen Wuornos: The Life and Death of a Serial Killer is Broomfield's follow-up to his first film, where we see the the events leading up to the death sentence carried out on Wuornos in 2003. We learn everything we need to know about the background of Wuornos (frankly, more than we might want to know). Yes, she had a hard life. The way she had to live growing up certainly didn't bode well for her being anything but trouble. The film is quite a forum for her rants and she can't seem to decide if her confessions of self-defense are what she believes or if she wants to die or not. But as we know by the title of the film, she is executed. Bromfield questions her quickly passing a psychiatric test  before being executed as to what one could possibly do to fail such a test if someone so mentally unhinged as Wuornos passed it. Those who see her last rant would have to agree.

Though it was critically acclaimed, I can see why the dramatized film about Wuornos called Monster with Charlize Theron was left off the 1001 list. I mean, just how many movies about this person should you really have to watch before you die?



Read More
Posted in 1980's, 1990's | No comments

vendredi 7 février 2014

GLENGARRY GLEN ROSS (1992)

Posted on 02:21 by Unknown
MOVIES I WATCHED BECAUSE I GOT A SUBSCRIPTION TO NETFLIX AND THEY WERE IN THE 1001 MOVIES YOU MUST SEE BEFORE YOU DIE BOOK MONTH
 (Post 3 of 10)


The film version of  the David Mamet's critically acclaimed stage play about the daily struggles of an office of Chicago real-estate salesman I found to be pretty powerful at times. The film benefits from a strong ensemble cast that includes: Al Pacino, Jack Lemmon, Alan Arkin, Kevin Spacey and Ed Harris. Alec Baldwin really connects in his one scene as a ruthless company "motivator."

My favorite quote from the movie is Ricky Roma (Al Pacino) cursing out his office manager (Kevin Spacey) after a lost sale.

WHAT YOU'RE HIRED FOR, is to help us... does that seem clear to you? TO HELP US, not to... FUCK-US-UP... to help those who are going out there to try to earn a living... You fairy! You company man!!

Read More
Posted in 1990's | No comments

vendredi 27 septembre 2013

DEAD MAN (1994)

Posted on 13:27 by Unknown
The Great American Western (Post 11 of 12)

Dead Man



"My Name is Nobody"

Shot in glorious black and white and punctuated by Neil Young guitar riffs, this Jim Jarmusch indy Western takes the old story of the meek easterner, an accountant named William Blake (Johnny Depp), who through a series of strange events becomes a wanted outlaw and turns into a most dangerous man.

There's a lot of laughs here, too. Many provided by Gary Farmer as the Indian who thinks Blake is actually the poet of the same name.

And you got to like any movie that has both Iggy Pop and Robert Mitchum in it.

"Every night and every morn, some to misery are born. Every morn and every night, some are born to sweet delight. Some are born to sweet delight; some are born to endless night."
Read More
Posted in 1990's | No comments

mercredi 22 mai 2013

THE OULAW JOSEY WALES (1976), UNFORGIVEN (1992), HIGH PLAINS DRIFTER (1973), DIRTY HARRY (1971)

Posted on 11:33 by Unknown


TRACTORLAND

Josey Wales pointed his pistol at the bottles on the fence in front of him.

Four shots rang out...Three bottles shattered.

He was getting good, but would it be good enough when it came time to face the Redlegs?

It was at that moment that Josey heard a distinct rumbling coming from the distance. He took his gun and hid behind the bushes. Could the moment of truth be upon him already?

As Josey saw four figures coming over the morning mist of what was once his farm, he cocked his gun in preparation.

"Josey Wales!" one of the figures shouted at him. "We come in peace. We are here to help you."

These were clearly not Redlegs. As the figures came closer, he noticed a familiar look to them. Josey came out with his weapons drawn as they approached him.

“Speak your piece and do it quick,” Wales said.

"We are here to help you," the first figure, who had the appearance
of a grizzled gunfighter, said. He had a slight growth of beard, squinted and spat. After the gunfighter spat, Wales spat immediately after him.

"My name is William Munny,” he said.

Wales tilted his head to get a better look at the gunfighter. "You look like-"

"I know." Munny said.

The second figure spoke.
"And my name is…well, I don't have a name. Some call me the High Plains Drifter."

"I don't know if I can trust a man without a name." Wales said.

"I do want you to trust me, so I've got to admit to you that my real name is...Ellen." The drifter spat.

Josey spat in response. I'm not real comfortable calling you that. Can I just call you, Hey You?"

"That works for me." Hey You said.

Wales tilted his head slightly to the left at Hey You. "You look like-"

"I know." Hey You, said.

The figure next to Hey You was wearing a dress outfit that Josey had never seen before, not even in the city.

"My name's Harry Callahan." he said with a smirk.

"That's a mighty big gun you have there, Harry." Josey said.

"It isn’t just cause I'm just glad to see you." he replied before spitting on the ground.

Wales turned his head in the direction of Harry Callahan. "You look like-"

"I know." Callahan said.

Josey looked at the fourth man. He was much smaller than the others with a short haircut, white shoes a red bow tie and an ill-fitting poncho.

The little man put out his hand and said. "HELLO! My name's Pee Wee! Pee Wee Herman! HA! HA!” Pee Wee tried to spit on the ground, but his saliva seemed to get stuck in his throat and all he could manage to do was loudly swallow it. He laughed again and looked around sheepishly.

Josey took a step back.

"He's all right, Josey." William Munny said. “Pee Wee is just the result of a computer glitch. He was programmed to be a fierce gunslinger named Blondie, but, I...I still don't rightly know what went wrong. But let me tell you, this Pee Wee's appearance may not match the rest of us, but he's proven to be a good fighter."

"A competer what?" Josey asked. "What is going on here? Aren't you fellas here to help me fight the Redlegs?

"I think we need to talk," Hey You said.

Josey motioned for the group to proceed to the burned out remnants of his farmhouse.

Pee Wee took the lead and bounced his arms vigorously and skipped as he went into the house.

The other four sauntered in and they sat down at the table.

"Josey, your enemy isn't the Redlegs, because you ain't the real Josey Wales." William Munny said.

"You're a computer generated version of Josey Wales." Harry Callahan clarified.

"That's crazy talk!" Josey said springing up in his seat.

"Sit down, Josey. Let me prove it to you. You feel grief for your wife and son, right? But do you actually have memories of them? Well, do you? Its all part of a computer program," Hey You said.

Josey sat down in the recognition that their assessment of his memory was correct.

"Expain."

"You are part of a role-playing computer game called TractorLand. Millions of people play it, I'm not sure why. It looks really boring to me. I know you don’t understand, we didn’t at first,” William Munny said

“But there are animals on this game that appear to be docile and benign
but take it from me; they aren't." Hey You added.

"I don't even know what a tractor is. Do I?” Josey asked.

"Tractors are pretty cool, Josey." Pee Wee interjected. "Of course I get all I need from my bike. Ha Ha."

"Time is running out Josey. To make a long story short, they're coming back for you.They’re coming for all of us. It took us awhile to get use to this reality but you don't have the luxury of time. I’d say we got about thirty minutes before they come back." Hey you said.

Josey buried his head. "But I don't understand!"

Harry Callahan grabbed Josey's arm. "There's not time, man.

Josey moved his head around to the others and nodded in agreement. Now they were able to plan.

Josey Wales and William Munny positioned themselves in the house with rifles ready.Harry Callahan and Hey You stationed themselves outside behind some rubble with their respective Magnum and Six Shooter drawn. Pee Wee lurked behind the building equipped with a bike and really loud black horn.

Then they came.

First, a group of pigs came at the farmhouse. These weren't any normal pigs, these were pigs flipping nun-chucks. These nunchuck pigs were vicious, but were clearly not ready for the ambush awaiting them. Harry Callhan's Magnum took the lead in wiping out the nunchuck pigs. The other gunfighters offered cover and the pigs not slaughtered made a hasty retreat.

Callahan came up to one of the pigs that was wounded but still alive. The pig’s hoof was in reach of his nunchucks as the animal eyed Callahan and his weapon. Harry raised his gun. "I know what you're thinking. Did I shoot 5 or 6? But being this is a .44 Magnum, the most powerful handgun in the world and would blow your snout clean off, you've got to ask yourself. Do you feel lucky, pig? Huh? Go ahead, make my day, Porky!"

The pig grabbed for his nun-chuck, but a shot rang out from Harry's weapon before the pig could reach it. "Guess I had one left." Harry said.

Next came the Samurai cows mooing as they brandished their swords.
"Shoot for the utters!" William Munny yelled out. As the bullets from the farmhouse came at the cows, the gunfire tearing into the utters caused most of the cows to explode in a milky explosion leaving nothing but their Samurai swords behind.

One of the cows tried to cut into Hey You before the gunfighter knocked it down with the butt of his six-shooter. "Looks like I'm going to have to teach you some manners," Hey You said as he pulled out a brush and began painting the cow red. The cow began a deep moo before Hey You knocked him out with a stray nunchuck he picked up off the ground. Hey You was blanketed in milk, but was otherwise unharmed.

A more coordinated attack came from a group of Gladiator chickens and Judas goats.They almost made it all the way to the farmhouse. Hey You grabbed one of the discarded Samurai Cow swords and decapitated a Gladiator chicken that was about to kill Harry Callahan with a spiked club.

From the flank, three Hellhorses with fire blazing from their nostrils came at Pee Wee's bicycle. He pushed a button on his bike that caused him to spring out of his seat, confusing the two Hellhorses converging on him enough that they slammed into each other, making them dazed, impaling the screeching animal and easy prey for his comrade's weapons. Pee Wee hopped onto the other Hellhorse and rode him into a broken fence at the edge of the Wales farm. Pee Wee giggled and gave his friends a thumbs up sign.

"Come on!” Josey motioned to William Munny. "We've got to get out there. We can't get enough of them holed up in here." William Munny and Josey went out with guns blazing.

The battle raged. Warrior kitties attacked without any outside weapons, but possessing a matching set of extremely sharp claws.

William Munny had five Warrior kitties almost upon him. "Damn it. I'm not like that anymore...I’m just not a killer, ah…what the hell." Munny blew away the felines with five shots.

Four fanged CyberBurros flew in the group’s direction. "These are one group of mules that I ain't gonna laugh at." Josey fired four shots. This time he was four for four.

A herd of counting sheep tried to come and make the others fall asleep, but the group was able to avert their eyes until they could be sheared with Pee Wee's electric razor.

After thirty minutes of intense fighting, the battle appeared to be over for the time being. The farmhouse was now obliterated. The group had injuries, but would survive. "We have done it." Josey said.

"For now." Harry added.

They heard a noise behind the shrub and they went over to investigate. A duck with large eyes and a pointed hat was shivering and looked at them with big, sleepy eyes.

"It's just a sweet little party duck that has lost its way,"Josey said.
In the second that he turned to tell the others, the party duck reared its teeth and flew at Josey.
"No!" Pee Wee said as he intercepted the path of the party duck. Harry Callahan came by and shot the duck in the head, but not before the damage was done.

They all came to Pee Wee's aid.
"My wounds are too great." Pee Wee said, putting his hand to his bloody neck where the party duck had bitten into him.

Hey You placed Pee Wee's poncho under Josey's head.
"You're a very brave man." Josey said to Pee Wee as he bent down to comfort him.

Pee Wee motioned to him and Josey bent down and Pee Wee said something in his ear, before Pee Wee closed his eyes for good.

"What did he say?" Munny asked.

"He said, ‘I know you are, but what am I?’"

Josey, William Munny, Harry Callahan and Hey You buried their friend on the eastern edge of the property.

"Why do people play this TractorLand?" Josey asked.

The other three looked at each other and shrugged.

A heavy wind began to blow on what used to the farm of Josey Wales.

"I think this place needs a new christening." Josey said.

They all looked around and agreed the need to acknowledge the war against evil they fought here and rename the area. Harry Callahan found a piece of what used to be the Wales barn and hammered it into the soil with his Magnum next to the newly dug grave of their fallen comrade. Hey You took out some of his red paint and wrote a name on the sign.

The four of them looked at it and nodded in mutual acknowledgement and walked away.

The sign read simply: East Wood.




Read More
Posted in 1970's, 1990's | No comments

mardi 30 avril 2013

RESERVOIR DOGS (1992)

Posted on 12:20 by Unknown

As an avid (if not fantatical) student of movies, Quentin Tarantino’s first film Reservoir Dogs definitely is influenced by the heist gone wrong films of the past such as The Asphalt Jungle, The Killing and Bob the Gambler. He defintely puts a more modern spin in that this group of theives reminise about 70’s music and complain about minutae such as the color code name they are given for their assignment. Reservoir Dogs is extremely dialogue heavy, but the words are entertaining and move at a fast pace. I must say that I like all the actors here. Of course, my favorite is Steve Buscemi as Mr. Pink, the guy who doesn’t believer in tipping. But how can you forget Michael Madsen as the psychopath Mr. Blue? Or raspy voiced film noir veteran Lawrence Teirney as the leader of the heist? Also, Harvey Keitel’s Mr. White, who may be the closest thing the movie has to a main character. Did I mention Mr. Orange (Time Roth)? Chris Penn as Nice Guy Eddie, you can’t leave him out? Even crime writer Eddie Bunker shows up as Mr. Blue. And Tarantino himself is Mr. Brown. Well, I pretty much named the whole cast here. Doesn’t quite hold itself up as well as Pulp Fiction for me, but a distinctive and good film in its own right.

With all the 90’s film I still have left on the list, I may have to do another 90’s month soon.





Read More
Posted in 1990's | No comments

lundi 29 avril 2013

THE ICE STORM (1997)

Posted on 09:36 by Unknown


30 from the 90's Post 29 of 30

The Ice Storm

Family drama with good cast whose strongest recommendation for me is probably how well it takes you back into 1973. I say that being a person who doesn’t take much prodding to get back to 1973, as I am seem to find myself forever stuck in that decade. So I gotta like the teenager who makes out while wearing a Nixon mask, the waterbeds, polyester pants and the suburbia wife swapping as well as the reruns of Time Tunnel, The Green Hornet and Divorce Court. Love that 70's home décor too!

Question from my wife: “Why does Kevin Kline’s chest have to be so hairy?” When asked this question, I looked at her and didn’t answer since I assumed the question was rhetorical and not of a medical nature.
Read More
Posted in 1990's | No comments

dimanche 28 avril 2013

DECONSTRUCTING HARRY (1997)

Posted on 09:37 by Unknown

30 from the 90's (Post 28 of 30)

Deconstructing Harry

I grew up watching Woody Allen films in the 70’s and throughout the 80’s. I’ve seen them all through Take the Money and Run in 1969 until Crimes and Misdemeanors in 1989. His films in the years since have not connected with me nearly as well. I say that admittedly not having seen a majority of them. Deconstructing Harry from 1997 is an exception. Allen goes way beyond playing the neurotic nebbish he once defined and is a full-blown unlikeable narcissist here. He’s a foul mouthed writer who treats women like cattle and everyone else he meets like someone to twist into a character in his book. Deconstructing Harry’s best moments for me are the sections where little skits show the characters from his book interacting with each other before and later we see samples from his real life where his family/friends/acquaintances are seen as they actually are and most are not too happy about the way Harry portrays them. The best of his strong cast is Judy Davis, who is wonderful as one of Harry’s ex-girl friends.


Read More
Posted in 1990's | No comments

samedi 27 avril 2013

HEAVENLY CREATURES (1994, NEW ZEALAND)

Posted on 09:30 by Unknown

30 from the 90's (Post 27 of 30)

Heavenly Creatures

When I started this blog, I wondered to myself…

What if I can’t come up with anything to say about one of the movies on the list?

What if you don’t like it or hate it and you are just sort of null on it?

To fix this dilemma I decided to give myself a sort of Get Out of Jail Free Card and allow me to post the equivalent of “no opinion, no story, no rant.”So after, four-hundred and something posts, I’m turing in my Get Out of Jail Free Card for Peter Jackson’s Heavenly Creatures.

If you, on the other hand, have an opinion on Heavenly Creatures, I would certainly like to hear it and invite you to leave your opinion in the comment field below.
Read More
Posted in 1990's | No comments

vendredi 26 avril 2013

HEAT (1995)

Posted on 09:26 by Unknown

30 from the 90's (Post 26 of 30)

Heat

I’m not a huge fan of American action films from the post-Die Hard area. They tend to go overboard with the action and have characters that I can’t get emotionally attached too.

However, Heat is one of the best I’ve seen, if you even want to put the label of action picture on it. The film is almost three hours and uses its time well to develop its characters. There is a firefight that almost goes too far, but is so well done I didn’t care. It is also the first teaming of Al Pacino and Robert De Niro where they actually have scenes together. There is a scene in the middle of the movie where the bad guy De Niro has a cup of coffee with the cop who is chasing him (Pacino) might be a bit of a stretch, but it is still great to watch.

I was pretty much riveted the whole way during this and am pretty enthusiastic about this one. Thumbs up Roger.
Read More
Posted in 1990's | No comments

jeudi 25 avril 2013

MOTHER AND SON (1997, RUSSIA)

Posted on 09:34 by Unknown

30 from the 90's (Post 25 of 30)

Mother and Son

After seeing the movie JFK, I couldn’t have possibly picked a different type of movie than Mother and Son to follow it up with. Where JFK went off in a hundred directions, Mother and Son only has one. This 72 minute Russian film is all about the interaction between a son and his dying mother There is scarce dialogue and the main conflict is the son’s inability to accept his mother’s inevitable death. We have other scenes where the son wanders aimlessly outside, through wheatfields, down pathways and scenes where he is trying to take care of his mother and scenes of his final acceptance of the situation. This is truly an Art film with a capital A. The director here is Aleksandr Sokurov, the director of Russian Ark.

How you react to this film may be a good test for your AFAQ (Art Film Acceptability Quotient), or at least see how you feel about a movie that Susan Sontag liked so much.
Read More
Posted in 1990's | No comments

mercredi 24 avril 2013

JFK (1991)

Posted on 09:36 by Unknown

30 from the 90's (Post 24 of 30)

JFK

Who really killed Kennedy? Was it a conspiracy that invoved Castro and Cuba? Was it a CIA conspiracy? Was it a Mafia conspiracy? Was it somewhere else inside the government? I even read a book called Fatal Error that said from a ballistic point of view the gunman had to be one of Kennedy's secret servicemen!

But I really don’t feel like getting into all that right now. So let’s do something a little lighter. Let’s play the Kevin Bacon game! If you don’t know how the Kevin Bacon game is played, your objective is to try to link movie actors to Kevin Bacon (or someone other than Kevin Bacon if you really want to. But it really seems to work best with Kevin Bacon for some reason) in as few moves as possible. For instance, Kevin Bacon never made a movie with Boris Karloff, but he made a movie with Jack Nicholson (A Few Good Men) who made a movie with Boris Karloff (The Terror), which gives a Bacon equivalent of 2 when it comes to Boris Karloff. Bacon’s degree of separation to Nicholson is one because they were in the same movie. In JFK, Bacon has the small role of a male hustler who testifies for crusading prosecutor Jim Garrison, played by Kevin Costner. Now JFK, boasts a lot of roles (big and small) by a lot of noted actors: Walter Matthau, Jack Lemmon, Ed Asner, Tommy Lee Jones, Sissy Spacek, Donald Sutherland, Gary Oldman and others. Bacon doesn’t even have scenes with some of these actors, but for the purposes of the Bacon game, this is good enough since they are in the same movie! This is a treasure trove of one degree of separation to Mr. Bacon. Hey, if you want to link Bacon to Brian Doyle-Murray (Jack Ruby), JFK is your movie! In this respect, its the 90’s version of It’s a Mad, Mad, Mad, Mad World, though its too bad that Mr. Bacon is a bit to young to have been in that one.

That was fun, but on the more serious side, despite the well-intentioned efforts and beautiful craftsmanship of Oliver Stone's movie, I truly believe that Oswald acted alone in this great American tragedy.

For further reference, read Gerald Posner’s Case Closed, or Vincent Bugliosi’s 1,500 page book on JFK, Reclaiming History. As Posner said, there is a need to find a type of moral equivalency to tragedy in life. For example, the Holocaust had a great villain (the Nazis) and a great victim (The Jews). It’s a great tragedy, but we have balance. With the Kennedy assassination, you have the leader of the free world shot down and history changes. And who is responsible? This little pipsqueak Oswald? Sorry, our minds just can’t accept it. We the people need a greater villain. I just don’t believe there is one.


Read More
Posted in 1990's | No comments

mardi 23 avril 2013

THE DOUBLE LIFE OF VERONIQUE (1991, FRANCE)

Posted on 09:32 by Unknown
30 from the 90's (Post 23 of 30)



The Double Life of Veronique

Krzysztof Kieslowski’s films are definitely not for everybody. The double life that Veronique lives in isn’t part of an alternate universe where she sees her double or where she gets transported back in time. Veronique and Veronica are separated at birth (metaphysically) and never really meet. It’s a déjà vu kind of thing. And there’s also puppets. And I’ve missed movies with puppets as characters ever since I finished Being John Malkovich.

And Irene Jacob is most captivating.

Read More
Posted in 1990's | No comments

lundi 22 avril 2013

THE THIN RED LINE (1998)

Posted on 09:31 by Unknown

30 from the 90's (Post 22 of 30)

Terrence Mallick’s film about Guadalcanal is often compared to Steven Speilberg’s World War II film, Saving Private Ryan. Both films definitely have a hard edge to them, but Mallick’s film has a poetic vision* that Private Ryan lacks from what I remember. I say that not having seen Saving Private Ryan in several years, so if I watch it again and see more into it this time, I’m not opposed to amending this observation.

Another movie The Thin Red Line reminded me of a little was The Longest Day in that it was a World War II movie that had a lot of cameos by stars. TheThin Red Line had George Clooney, Woody Harrelson, John Travolta and others in small roles. The Longest Day had small roles for Robert Ryan, Robert Mitchum, Robert Wagner as well as a few stars not named Robert.

My favorite character from The Thin Red Line was the hard headed commander played by Nick Nolte. My favorite from The Longest Day was Richard Burton as a wounded soldier, thought don’t hold me to that as I haven’t seen that movie in probably thirty years.

*I know that sounds like a pretentious observation, but I couldn’t think of any other way to say it.
Read More
Posted in 1990's | No comments

dimanche 21 avril 2013

BREAKING THE WAVES (1996, DENMARK)

Posted on 09:30 by Unknown


30 from the 90's (Post 21 of 30)

Breaking the Waves

Long, but moving Lars von Trier film of a marriage to…between two people that...you might say they were...You know this is a hard film to describe the plot! Let’s just say I liked the leads Stellan Skarsgård and Emily Watson and found the potentially over the top ending pretty nice.

One question I do want to ask. Von Triers sections his film in chapter headings where some of the following music plays: All the Way to Memphis by Mott the Hopple, In a Broken Dream by Python Lee Jackson and Rod Stewart, Whiter Shade of Pale by Procol Harum, Cross Eyed Mary by Jethro Tull, Suzanne by Leonard Cohen, and Goodbye Yellow Brick and Your Song by Elton John.

So my question is, how did Lars Von Trier have access to my old album collection?
Read More
Posted in 1990's | No comments

samedi 20 avril 2013

STRICTLY BALLROOM (1992, AUSTRALIA)

Posted on 09:40 by Unknown

30 from the 90's Post 20 of 30

Strictly Ballroom

With thirty posts this month, I do need to keep some of them short. Well, crap. By going on about how I need to keep this short, I ended up going on and making it not too short. Okay, lets just say this Australian dance movie is an undeniable crowd pleaser and leave it at that.

Oh and one more thing…Bill Hunter

The late Bill Hunter seems to show up in a lot of Australian movies that have popped up on this list. He plays a rather nasty dance judge here. He also showed up as an officer in Galipoli, but is probably best known as Muriel’s father in Muriel’s Wedding.

This post can no longer be labeled as short.

What's next on the list? Lars Von Trier'sBreaking the Waves. What's that about again? Never mind. I need to save that for tomorrow.

Once again: Post can no longer be called short. Moving on. Moving on.
Read More
Posted in 1990's | No comments

vendredi 19 avril 2013

ALL ABOUT MY MOTHER (1999, SPAIN)

Posted on 09:38 by Unknown


30 from the 90's (Post 19 of 30)

All About My Mother

Pretty much every Aldomavar film has a character that has had a sex change operation. Not many directors can you say that about. All About My Mother
has been labeled as more of a women’s film in the same breath as Women on the Verge of a Nervous Breakdown and it does have some rich dramatic moments. I still think Talk to Her is my favorite of the Aldomavar films, though I am having trouble getting The Skin I’m In out of my mind.
Read More
Posted in 1990's | No comments

jeudi 18 avril 2013

DELICATESSEN (1991, FRANCE)

Posted on 09:36 by Unknown


30 from the 90's (Post 18 of 30)

Delicatessen

Jean-Pierre Jeunet, the director of Amelie made this film several years before and this does have some of the same charm as the other film. Is it a comedy? Can it be considered science fiction if you stretch the definition? I’ll just label it a fanciful art film, though I admit to liking Amelie a little more.
Read More
Posted in 1990's | No comments

mercredi 17 avril 2013

FIGHT CLUB (1999)

Posted on 09:35 by Unknown

30 from the 90's (Post 17 of 30)

I am Joe’s raging bile duct.

I went through a period of reading most of Chuck Pahlinuck’s books (Choke, Invisible Monsters, Diary, Lullaby, etc.) about ten years ago. I did like most of them, but thinking back on it now, they tend to all sort of run together (What was the plot of Lullaby again?). The exception to this morass of confusion is Fight Club, whose adhesion to my memory is more than partly attributable to do with the movie of the same name.

What was Fight Club really about? Was is it really about Terrorism? Consumerism? Male bondng through violence? The need for community by joining groups? Getting to see Meatloaf with breasts? I’d say probably a little of all of the above (Except maybe the Meatloaf with breasts part). I’d also say David Fincher (and screenwriter Jim Uhls) did an admirable job of bringing this tough book to the screen. The two leads of Brad Pitt and Edward Norton also seem perfectly cast.


Read More
Posted in 1990's | No comments

mardi 16 avril 2013

TOY STORY (1995), TOY STORY (1999), TOY STORY 3 (2010)

Posted on 09:33 by Unknown

30 from the 90's (Post 16 of 30)

Toy Story-

John Lasseter’s idea for Toy Story sprang from a belief, which he and Steve Jobs shared, that products have an essence to them, a purpose for which they were made. If the object were to have feelings, these would be based on its desire to fulfill its essence…As for toys, their purpose is to be played with kids, and thus their existential fear is of being discarded by newer toys. So a buddy movie pairing an old favorite toy with a shiny new one would have an essential drama to it, especially when the action revolved around the toys’ being separated from their kid.
-From Steve Jobs, the biography written by Walter Isaacson.

The rocky path to Toy Story is well documented in Isaacson’s book, but I think most that have seen it would agree that it was well worth the trip. How could you not love the story of Woody, Buzz Lightyear and the rest of the toys? If you don’t, what’s wrong with you? The two subsequent Toy Story movies are just as good, if not better. And if the ending of Toy Story 3 doesn’t bring a tear to you eye, then once again I ask, what the hell’s wrong with you?

John Ratzenberger appreciation society: The former postman from Cheers seems to pop up in every single Pixar movie. Here he plays the Ham pig.

Wallace Shawn appreciation society: I’ve noticed that the My Dinner With Andre and Princess Bride star has showed up in bit parts in several 1001 movie listings (All That Jazz, Atlantic City, Manhattan) and here he shows up as the Res, the timid dinosaur.

Don Rickles apprecation society: I can't imagine anyone who would have been a better Mr. Potato Head than Mr. Rickles.
Read More
Posted in 1990's | No comments
Articles plus anciens Accueil
Inscription à : Articles (Atom)

Popular Posts

  • THE BOURNE ULTIMATUM (2007)
    Son of 21st century films month! (Post 11 of 12) The Bourne Ultimatum There continues to be a steady supply of new books coming into the li...
  • SATYRICON (1969, ITALY)
    (Rod and Chip Go To the Movies, Part 2) The names have been changed to protect the innocent. The events depicted are real…sort of. Sometime...
  • NIGHT OF THE LIVING DEAD (1968)
    (Rod and Chip Go to the Movies, Part 1) The names have been changed to protect the innocent. The events depicted are real…sort of. Sometime ...
  • quickbooks tech support phone number 1-855-855-8111@@ quickbooks tech support number
    quickbooks tech support phone number 1-855-855-8111 quickbooks tech support number quickbooks tech support phone number 1-855-855-8111 q...
  • GLENGARRY GLEN ROSS (1992)
    MOVIES I WATCHED BECAUSE I GOT A SUBSCRIPTION TO NETFLIX AND THEY WERE IN THE 1001 MOVIES YOU MUST SEE BEFORE YOU DIE BOOK MONTH  (Post 3 of...
  • EASY RIDER (1969), Z (1969, ALGERIA)
    Tonight we’re going to party like its 1969! “Nobody Knows Anything,” is the famous (or at least semi-famous) quote from screenwriter William...
  • FITZCARROLDO (1982, WEST GERMANY)
    Film #4 of Claudia Cardinale week: Firzcarroldo Much has been written about Werner Herzog’s epic Fitzcarraldo . 1. Irishman Fitzcarroldo lo...
  • THE CONVERSATION (1974)
    The 70's Rivers,Day 4 The Conversation (1974) That small, personal film about a wiretapper that exemplified the kind of film that seemed...
  • THE MAN WITH THE MOVIE CAMERA (1929, SOVIET UNION)
    Experimental/Avant Garde Cinema Week Day 4 There are several experimental or avant garde films on the  1001 movie  list. In trying to figure...
  • BABEL (2006)
    Catching up on some recent 1001 listings (Film 7 of 12) Babel -One of those multi-layered/intersecting story movies, which I must admit that...

Categories

  • 1900's
  • 1910's
  • 1920's
  • 1930's
  • 1940's
  • 1950'S
  • 1960's
  • 1970's
  • 1980's
  • 1990's
  • 2000's
  • 2010's
  • Alfred Hitchcock
  • Bob Clark
  • Charles Vidor
  • Clarence Brown
  • Clint Eastwood
  • Don Siegel
  • Federico Fellini
  • Frank Capra
  • George Romero
  • Gillo Pontecorvo
  • Hugh Hudson
  • Jean Cocteau
  • Mel Brooks
  • Mike Nichols
  • Otto Preminger
  • Sergei Eisenstein
  • Steven Spielberg
  • William Wyler

Blog Archive

  • ▼  2018 (2)
    • ▼  janvier (2)
      • quickbooks tech support phone number 1-855-855-811...
      • Stella's Wardrobe: MODERN FOLKLORE
  • ►  2014 (53)
    • ►  juillet (1)
    • ►  juin (8)
    • ►  mai (10)
    • ►  avril (2)
    • ►  mars (12)
    • ►  février (10)
    • ►  janvier (10)
  • ►  2013 (138)
    • ►  décembre (12)
    • ►  novembre (11)
    • ►  octobre (10)
    • ►  septembre (13)
    • ►  août (14)
    • ►  juillet (12)
    • ►  mai (5)
    • ►  avril (30)
    • ►  mars (7)
    • ►  février (11)
    • ►  janvier (13)
  • ►  2012 (144)
    • ►  décembre (11)
    • ►  novembre (12)
    • ►  octobre (11)
    • ►  septembre (12)
    • ►  août (11)
    • ►  juillet (11)
    • ►  juin (9)
    • ►  mai (31)
    • ►  avril (4)
    • ►  mars (11)
    • ►  février (11)
    • ►  janvier (10)
  • ►  2011 (148)
    • ►  décembre (4)
    • ►  novembre (9)
    • ►  octobre (22)
    • ►  septembre (14)
    • ►  août (13)
    • ►  juillet (22)
    • ►  juin (6)
    • ►  mai (16)
    • ►  avril (3)
    • ►  mars (31)
    • ►  février (3)
    • ►  janvier (5)
  • ►  2010 (17)
    • ►  décembre (7)
    • ►  novembre (4)
    • ►  octobre (6)
Fourni par Blogger.

Qui êtes-vous ?

Unknown
Afficher mon profil complet