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mardi 10 avril 2012

SURFWISE (2007), THE ENDLESS SUMMER (1966)

Posted on 07:42 by Unknown


I honestly didn’t know what to expect when I plucked the documentary Surfwise from the 1001 Movie list* for my next film to view. In fact, I didn’t even know it was a documentary until I began watching it. So much for background research.

The film is about Doc Paskowitz, a doctor turned bohemian, who lived out of a camper during the 60’s and 70’s with his wife and nine children (eight of which were boys). The children didn’t attend school, instead traveling around the country (and beyond) with their parents learning about surfing, life and how to live comfortably in a twenty-four foot camper with a double digit number of people.

A retrospective of Doc and his family fill the first half of this film. The second half has more on what his children are doing now, how their upbringing affected them and gives the audience space to make judgments on Doc and his lifestyle choice.

Director Doug Pray really puts this documentary together well. I seem to remember some news stories about the Paskowitz family years ago and they were billed as the first family of surfing (I’m not sure how much competition they had for this title). And because of the ages of the children at the time the documentary were made (The children were mostly in their 30’s and 40’s at the time the documentary was filmed in the mid 2000’s.) we can really gain some perspective on how their unusual upbringing effected their lives. No matter how you feel about “Doc” (and opinions can certainly differ) this is a fascinating journey and the film is well deserving of its place in one of the updated editions of 1001 Movies You Must See Before You Die**.
______________________________________________________________________

Another surfing documentary that didn’t make the 1001 cut is The Endless Summer. I remember first seeing this on television during the 70’s and have watched parts of it a couple of times since. I always thought you could boil the plot down to a couple of guys travel around the world looking for the perfect wave. But it’s a bit more than that. It’s very…what’s the word? Zen. Yes, it’s a very Zen movie. Mike Hynson and Robert August are two surfers in their early twenties who attempt to travel the world over a series of months following the summer as they go. They are accompanied by filmmaker/wisecracking narrator Bruce Brown. The boys spend a lot of time in Africa. Their encounters with the friendly natives of Ghana, who have never seen a surfboard before, are one of the highlights of the film. Another obvious highlight is when they walk through a South African desert to find (drum roll please) the perfect wave. Waves so long and perfect you would think they were out of a machine. Waves that you can ride so long that Bruce Brown actually runs out of film before he can show you an entire ride. Waves that might actually make me consider picking up a surfboard...well, not quite.

On the lighter side, we see the boys complaining about the prices of things in the world ($1 dollar coffee, $1 dollar a gallon gasoline, and a luxurious suite that is a whopping $30 a night. Hey, this is 1966! What a rip-off!). We also see some other surfers of the day shooting the curl or hanging ten and the whole thing is in good fun.

Not to get too deep here, but when you enter The Endless Summer you allow yourself to forever keep searching for the perfect wave and if you keep going around the world, you may even stay forever young.


And the winner is…Surfwise. Because I really like the way Doug Pray weaved his narrative together and turned it into a most fascinating story.
______________________________________________________________________

*This film is listed in a supplementary 1001 Movie list I saw on the internet, but haven’t been able to find it in an actual edition of the book. Go figure.

**Nope, still can’t find it in any book.


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Posted in 1960's, 2000's | No comments

samedi 7 avril 2012

BLACKMAIL (1929, GREAT BRITAIN), THE 39 STEPS (1935, GREAT BRITAIN), SABOTAGE (1936, GREAT BRITAIN)

Posted on 02:49 by Unknown

As I was looking for old video games for my son in a neighborhood pawnshop recently, I came across A DVD collection called Alfred Hitchock: The Legend Begins, which included three films on the 1001 movie list. I became very excited (I get excited easily). I forgot all about looking for silly video games and bought the DVD.

The first film I watched was Blackmail, (1929) which I found out later was originally a silent film, but was changed after production began into Britain’s first talkie. It is disorienting in spots, as the film starts as a silent film and then somewhat awkwardly makes a transition to sound. That isn’t to say it isn’t a worthwhile film and it does have several touches that Hitchcock would later make his trademark (Woman kills man in self defense, man in love with her tries to cover it up and of course the blackmailer, himself.)

The second film, The 39 Steps (1935) is probably the most famous of the three, though it was admittedly my least favorite. Hitchcock takes a lot of liberties with John Buchan’s original story and employs the innocent man on the lamb plotline that Hitchcock would later use again in North by Northwest and other films. It does includes a lot of nice banter between Robert Donat and Madeline Carroll.

The last film from this DVD set was Sabatoge (1936). This was my favorite of the three films. The plotline of a saboteur (today we would just call it a terrorist) in London and the way Hitchcock builds suspense to the inevitable bomb going off are highlights. The portrayals of the main characters played by Sylvia Sydney as the wife and Oscar Homolka, as her not-so-innocent husband were effective. I also liked the way Hithcock shot Homolka with close-ups that showed off expressive face and bushy eyebrows. This film also has a short animated sequence, Who Killed Cock Robin? from the Disney studios which makes this film a must for Disney completeists.

I'm thinking now that I should head back to the pawnshop to see if I can find a Howard Hawks DVD collection. I’ve sure got plenty of his films left on my list.


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Posted in 1920's, 1930's | No comments

dimanche 1 avril 2012

CHARIOTS OF FIRE* (1981, GREAT BRITAIN)

Posted on 23:52 by Unknown

* This post really has nothing to do with Chariots of Fire, I just needed a blog heading.

I think anyone that goes through the 1001 Movies You Must See Before You Die list makes at least a mental note on what movies they think were unfairly left off the list and which ones that are in the book and probably shouldn’t be.

I compiled a list of 130 possible alternatives. Why 130? Well, the explanation is…ok, I have no explanation. It’s just 130, all right?


1.Animal Crackers (1930, Victor Herman)
2.The Old Dark House (1932, James Whale)
3.Easy Living (Leisen, 1937)
4.Lost Horizon (Capra, 1937)
5.Way Out West (Horne, 1937)
6.The Roaring Twenties (Walsh, 1939)
7.The Great Dictator (Chaplin, 1940)
8.Tom Brown’s School Days (1940)
9.Among the Living (1941, Heisler)
10. Buck Privates (1941, Arthur Lubin)
11.Never Give a Sucker an Even Break (Edward Cline, 1941)
12.Bambi (Hand, 1942)
13.Day of Wrath (Dreyer, 1943)
14.Lifeboat (1944, Alfred Hitchcock)
15.Dead of Night (various, 1945)
16.Kiss of Death (Hathaway, 1947)
17.Hamlet (1948, Laurence Olivier)
18.Late Spring (1948, Ozu)
19.Key Largo (Huston, 1948)
20.Othello (Welles, 1952)
21.Miracle in Milan (1953, Vittorio De Sica)
22.Sawdust and Tinsel (1953, Ingmar Bergman)
23.Stalag 17 (1953, Billy Wilder)
24.Mister Roberts (1955, John Ford)
25.Oklahoma! (1955, Fred Zinneman)
26.The Killing (1956, Stanley Kubrick)
27.Lust for Life (1956, Vincent Minelli)
28.A Face in the Crowd (1957, Elia Kazan)
29. Jailhouse Rock (1957, Richard Thorpe)
30.Cat on a Hot Tin Roof (Brooks, 1958)
31.Hidden Fortress (Kurosawa, 1958)
32.Plan Nine From Outer Space (1959, Ed Wood)
33.Compulsion (1959, Richard Fleischer)
34.Inherit the Wind (1960, Stanley Kramer)
35.The Virgin Spring (Bergman, 1960)
36.One, Two, Three (1961, Billy Wilder)
37.Judgement at Nuremberg (1961, Stanley Kramer)
38.Yojimbo (1961, Akira Kurosawa)
39.Lonely Are The Brave (Miller, 1962)
40.Birdman of Alcatraz (1962, John Frankenheimer)
41.Carnival of Souls (1962, Herk Harvey)
42.It’s a Mad, Mad, Mad, Mad World (1963, Stanley Kramer)
43.High and Low (1963, Akira Kurosawa)
44.The Silence (1963, Ingmar Bergman)
45.A Fistful of Dollars (1964, Sergio Leone)
46.The Pawnbroker (1964, Sidney Lumet)
47.Zorba The Greek (Cacoyannis, 1964)
48..A Thousand Clowns (Coe, 1965
40.For a Few Dollars More (1966, Sergio Leone)
49.The Professionals (1966, Richard Brooks)
50.A Man for All Seasons (1966, Fred Zinneman)
51.King of Hearts (1966, de Broca)
52.Endless Summer (Brown, 1966)
53.Morgan (1966, Reisz)
54.The Knack and How to Get It (1967, Richard Lester)
55.The Dirty Dozen (1967, Robert Aldrich)
56.How to Succeed in Business Without Really Trying (1967, David Swift)
57.A Guide for the Married Man (1967, Gene Kelly)
58.The Swimmer (1968, Frank Perry)
59.Bullitt (Yates, 1968)
60.Head (1968, Bob Rafelson)
61.Monterrey Pop (1967, James Desmond)
62.The Magic Christian (McGrath, 1969)
63.Medium Cool (Wexler, 1969)
64.The Passion of Anna (1969, Bergman))
65. Catch-22 (1970, Mike Nichols)
66.Watermelon Man (1970, Melvin Van Peebles)
67.Brewster McCloud (1970, Robert Altman)
68.Macbeth (1971, Roman Polanski)
69.1776 (1972, Peter Hunt)
70.Carnal Knowledge (1972, Mike Nichols)
71.Duck, You Sucker (1972, Sergio Leone)
72.Slaughterhouse Five (1972, George Roy Hill)
73. Marjoe (1972, Howard Smith)
74. Private Parts (Bartel, 1972)
75.The Last Detail (1973, Hal Ashby)
76.Paper Moon (1973, Peter Bogdanavich)
77.The Paper Chase (1973, James Bridges)
78.O Lucky Man! (1973, Lindsay Anderson)
79.Scenes From a Marriage (1974, Ingmar Bergman)
80. Hearts and Minds (Bert Schneider, 1974)
81.Love and Death (1974, Woody Allen)
82.Lenny (1974, Bob Fosse)
83.The Towering Inferno (1974, Irwin Allen)
84.Animal House (1978, John Landis)
85.Watership Down (Rosen, 1978)
86.Invasion of the Body Snatchers (Kaufman, 1978)
87.Magic (1978, Richard Attenborough)
88.The China Syndrome (1979, James Bridges)
89.The In-Laws (Hiller, 1979)
90.Hair (1979, Milos Forman)
91.Phantasm (1979, Don Coscarelli)
92.Caddyshack (1980, Harold Ramis)
93.The Gods Must Be Crazy (Uys, 1980)
94.Kagemusha (Kurosawa, 1980)
95.My Dinner With Andre (1981, Louis Malle)
96. Superman II (1981, Richard Lester)
97.Arthur (1981, Steve Gordon)
98.The World According to Garp (1982, George Roy Hill)
99. Flashdance (1983, Adrian Lyne)
100.The Meaning of Life (Gilliam/ Jones, 1983)
101.Star Trek II: The Wrath of Khan (Nicholas Meyer, 1982)
102.Stop Making Sense (1984, Jonathan Demme)
103.Repo Man (Cox, 1984)
104.Risky Business (1984)
105.Choose Me (1984, Alan Rudolph)
106.My Life as a Dog (1985, Lasse Hallstrom)
107.Pee-wee's Big Adventure (Tim Burton, 1985))
108.Something Wild (1986, Jonathan Demme)
109.Wild at Heart (1990, David Lynch)
110.Jungle Fever (1991, Spike Lee)
111.Barton Fink (1991, Joel Coen)
112.Malcolm X (1992, Spike Lee)
113.The Fugitive (1993, Andrew Davis)
114. Much Ado About Nothing (1993, Kenneth Branagh)
115.Richard III (1993, Richard Loncraine)
116.Searching for Bobby Fisher (1993, Stephen Zallian)
117.Speed (1994, Jan de Bont)
118.Quiz Show (1994, Robert Redford)
119 Ed Wood (1995, Tim Burton)
120.Sling Blade (1996, Billy Bob Thornton)
121.Twelth Night (1996, Trevor Nunn)
122.Hamlet (1996, Kenneth Branagh)
123.Contact (1996, Robert Zemeckis)
124.The Truman Show (1998, Peter Weir)
125.A Beautiful Mind (2001, Ron Howard)
126. Master and Commander (2003, Peter Weir)
127. Shrek (2003)
128. Mystic River (2003, Clint Eastwood)
129. The Fog of War (2003. Errol Morris)
130. Sin City (2005, Frank Miller)

Rules & thoughts from my alternative 1001 list

1. I guess I just can’t seen ti get enough of Altman, Leone, Bergman, Hitchcock, Kubrick and Kurosawa (Brewster McCloud, A Fistful of Dollars, Scenes from a Marriage, the Killing and The Hidden Fortress)
2. Obviously I can’t get enough Shakespeare either. (Richard III, Hamlet, Macbeth)
3. I have a bias towards films from the era I first started watching films yet still fill the need to criticize others for their era bias. (Don’t think The Towering Infernois a classic, eh? What the hell is wrong with you?)
4. Got to add a few cult films. Ah, back in the day of the midnight movie… (Brewster McCloud, Private Parts (1972), King of Hearts, The Gods Must be Crazy, Head)
5. It doesn’t pay to be highbrow all the time (Caddyshack, The Dirty Dozen, Jailhouse Rock, Pee Wee’s Big Adventure, Animal House, It’s a Mad, Mad, Mad Mad World)
6. Campy sci-fi is welcome on my list (Phantasm, Carnival of Souls, Plan Nine from Outer Space.)
7. In fact, we need more classic sci-fi on the list. (Contact, Repo Man, Invasion of the Body Snatchers (1978), Superman II and Star Trek II: The Wrath of Khan.
8. But sometimes you gotta be a little highbrow (My Dinner With Andre, Miracle in Milan, Day of Wrath, My Life as a Dog)
9. Make sure to add a film that no one has ever heard of to make you look smart even though you haven’t seen it in thirty years but you really liked it at the time but really should see it again to see if it is as good as you remember. (Among the Living)
10. Make sure to add some that you just think should be on the list. (Everyone says how good Mystic River is, I will get around to actually seeing it one of these days!)
11. How about some more musicals? (Oklahoma!, Monterey Pop, Stop Making Sense and a personal favorite, 1776)
12. Most of the classic non-English language films I’m most familiar with are already in the book so my additions here are slight.
13. No silent comedy film additions since the great comics are covered well in the 1001 book.
14. I didn’t add many 2000-present movies since they seem to come and go in each new addition.
15. Random thought: I’d like to see a book on recommended documentaries. It’s hard to decide which ones to add.
16. Looking at my list, I’d already see the need to make some deletions. Flashdance? What was I thinking? I don’t even like that movie!
17. And additions: I left off The Time Machine? Why did I leave off The Time Machine? (The 1960 version, of course)
18. And another addition: Midnight Express! How could I leave off Midnight Express?
19. I now realize how damn hard it is to make a list like this…
20. So I won’t complain about omissions from future editions of the 1001 movie book that I think should be added…at least for now.
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Posted in 1980's | No comments

jeudi 29 mars 2012

THE KILLING (1956)

Posted on 12:04 by Unknown

(1950’s movie #11)

The Killing (1956)

Expectations: Classic film noir. First of the great Stanley Kurbrick films. A favorite. And why is this not in the 1001 book again?

After viewing: The great heist in the film told by different viewpoints (which is the reason Kubrick chose this source material) and is what really sets this apart. The cast of character actors is quite good, the ending (different from Lionel White’s book) is a doozy and everything really comes together here. One question: What is the deal with Maurice,the Russian chess player/wrestler who you can barely undersand any of his dialogue?

And the Elisha Cook Jr. supporting player award goes to…Elisha Cook Jr. I’ve made many posts on this blogsite giving out my imaginary Elisha Cook Jr. supporting player award. I think the main reason I decided to do it was because of Mr. Cook in this movie.

In The Killing, Cook becomes part of the elaborate plan to rob the racetrack. It’s the one chance he has to impress his blonde wife, who knows that she is out of his league. Of course, she’s two-timing him, doesn’t really love him and you could almost feel sorry for the guy if he weren’t so naïve. Small of stature and rather plain looking, Described by critic Leonard Maltin as “the ultimate nebbish,” Mr. Cook had a long career that ran from The Maltese Falcon to The Big Sleep to Shane to The Killing to Rosemary’s Baby to later as Ice Pick on the television show Magnum P. I.

Always a second banana and usually a good bet to not survive to the film’s closing credits, Cook proves that you can have a long career in Hollywood by getting bumped off a lot.
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Posted in 1950'S | No comments

mercredi 28 mars 2012

THE ASPHALT JUNGLE (1950)

Posted on 09:27 by Unknown

(1950’s movie #10)
The Asphalt Jungle

Expectations: I really don’t have any. I just know it was a John Huston film and isn’t to be confused with Richard Brook’s The Blackboard Jungle.

After viewing: I’m really surprised I hadn’t seen this before and knew so little about it. It’s a terrific heist movie and a very worthy follow-up for Huston to Treasure of the Sierra Madre.

Fact only I may find interesting: Co-star Louis Calhern starred in both The Asphalt Jungle and The Blackboard Jungle.

Marilyn sighting: One of Marilyn Monroe’s early roles. She is most fetching playing Calhern’s mistress. “Some sweet kid.”

And the Elisha Cook Jr. supporting player award goes to…Sam Jaffe. Despite a strong supporting cast including James Whitmore, Jean Hagen and John McIntyre, I have to once again give the prestigious Cook award to Mr. Jaffe. This time he isn’t playing a bhisti bugle boy as in Gunga Din or a scientist as he did in The Day the Earth Stood Still, but a brilliant, logical, calculating criminal with one fatal flaw: a penchant for young women. (Apparently very, very, young)
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Posted in 1950'S | No comments

lundi 26 mars 2012

THE HUNGER GAMES (2012)

Posted on 07:49 by Unknown

We have temporarily taken control of this month's blog run on films from the 1950's to bring you a guest movie commentary on The Hunger Games from author Joyce Scarbrough.

"The book was better."

I'd say this is true for 95% of movies that are based on books, with 4% having the book and the movie equally good and 1% of movies that are better. (I'm a word person and don't play well with numbers, so don't hold me to those percentages. Hey, at least they add up to 100!)

So it was no real surprise that the theatrical version of THE HUNGER GAMES fell into the 95% category, yet I still found myself quite disappointed that this movie I had anticipated seeing on the big screen more than any other didn't quite live up to my expectations. Don't get me wrong--it's a good movie full of excitement, visual thrills and moving scenes. I'm sure anyone who sees it that hasn't read the books will think it's fabulous. It was just missing the deep, soul-stirring elements that make me love the book series so much.

It certainly wasn't the fault of the cast. While some of the actors were not how I pictured the characters, they all did a great job of bringing their roles to life and won me over. Especially Jennifer Lawrence as Katniss and Josh Hutcherson as Peeta. Their scenes together were magical--both the action-filled and the emotional ones.

No, I think the biggest problem was the inherent limitations of watching a movie versus reading a book, especially a book written in the first person POV. While Jennifer Lawrence did a wonderful job of showing Katniss's amazing bravery, devotion to her family and strength of character, even her award-worthy acting skills could not portray Katniss's inner conflicts, subtle revelations about herself and her fellow tributes, and her ingenious ability to control her outward appearances and reactions because she knew she was always being watched by the entire country.

Not only did Katniss have to manipulate the spoiled Capitol citizens whose sponsorship she needed to survive, she had to be constantly mindful that her sister and mother were being forced to watch everything that happened to her. You really can't show this through facial expressions, and it's not something Katniss would talk about with anyone even if she could do so without being overheard. So it's a major part of the story's draw that is missing from the movie.

There were other important aspects of the story that I think the director didn't do justice to or omitted altogether. This was probably because of time limitations, but I think some of the special effect scenes and visual gut-punches could have been shortened in order to show things like how desperate Katniss was to find water when she first went into the arena and how she almost died of dehydration. She finds a water source immediately in the movie and never even gets thirsty! The same thing is true of the pain she and Peeta suffered from their injuries and how close they came to dying, and also the emotional bonding between them that developed gradually while they cared for each other. These things were skipped in exchange for more death scenes, and it kept the movie audience from connecting as much to Katniss and Peeta as readers do in the books.

For me, the biggest thing about both these books and the movie is the magnificence of the heroine. Katniss is both bigger than life and completely human at the same time, and I cheered for her not only because of what she meant to the story, but for what she meant to the millions of young girls reading about her. Her message is this:

You are capable of making a difference in the world every bit as much as any of your male counterparts, and don't ever let anybody convince you otherwise!

And while the heroines in my books don't inspire any revolutions like Katniss does, they do share her belief in herself and always stand up for themselves against adversity. If they inspire even a fraction of Katniss's fans, I'll feel as if I've made a difference as a writer.

~Stay true to yourself and your dreams will come true.

-Joyce Scarbrough

http://joycescarbrough.blogspot.com/

We now return control of this blog to Chris, a librarian, at least until the next time we decide to retake control.
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Posted in 2010's | No comments

dimanche 25 mars 2012

GIGI (1958)

Posted on 12:03 by Unknown

(1950’s movie #9)

Gigi (1958)

Expectations: I think I’ve done enough film noirs this month, so I figured this colorful musical is probably about as far away from film noir as a movie can get.

After viewing: Obviously this movie gets compared to My Fair Lady because they are both Lerner and Lowe and both are Best Picture Winners. I don’t like it as much as My Fair Lady, but it does have some winning musical numbers. And also if I’m doing this list, I might as well check off all the Oscar Winners I go through as well. I just hope this doesn’t mean I have to watch Broadway Melody of 1929 and Cimarron.


And the Elisha Cook Jr. supporting player award goes to…Maurice Chevalier. Yes, I must be getting older because I’ve come to actually like the old Frenchman. It’s hard to imagine this movie without his musical numbers, “Thank Heaven For Little Girls,” and “We Met at 9.”
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Posted in 1950'S | No comments
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