DR. STRANGELOVE (1964)

Color Me Kubrick Month (Post #7)

Dr. Strangleove

Kubick’s classic cold war comedy would definitely be on my top ten favorite films of all-time list. It also includes my favorite moment from any film. That, of course, is Slim Pickens descending out of his airplane riding a nuclear bomb like a cowboy in a rodeo.

Three additioinal memorable scenes:

1. General Jack D. Ripper explaining to Mandrake about the loss of his precious bodily fluids.

2.General Turginson scuffling with the Soviet ambassador in the war room.

3. Dr. Strangelove and his out of control arm.

But really, you could easily fill up a page with classic moments from this film.

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SPARTACUS (1960)

Color Me Kubrick Month (Post #6)

Spartacus
Some Kubraphiles and even Stanley himself dismiss this as not really being a true Kubrick film, but I think it is a pretty good addition to the sea of epics that were released during this time.

Three memorable scenes:

1. Pretty much any scene with Peter Ustinov where he begins improvising dialogue to such a degree that the film seems set to break into an Airplane! style parody at any moment.

2. The film's most famous line features the Roman slaves all claiming to be the leader of the slave revolt in order to protect him from the evil Crassus.
I am Spartacus!

3.The snails and oysters scene: Censor alert: Olivier talking to Tony Curtis about liking “both snails and oysters” is really code for him being bi-sexual. But don’t tell anyone!

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PATHS OF GLORY (1957)

Color Me Kubrick Month (Post #5)

Paths of Glory

This anti-war/political manipulation classic set in the French trenches of World War I still remains a powerful work today.

Here are three memorable scenes:

1)The battle scene. And there's only one. And It's not expansive. But it is effective.

2)The courtroom scene. Kirk Doulas vs. Richard "Six Million Dollar Man's boss" Anderson. A stunning example of justice not served.

3) The scene with the firing squad featuring the cowardly squad leader having to blind fold the man he unfairly chose to be executed as well as the always bizarre Timothy Carey.

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2001: A SPACE ODYSSEY (1968)

Color Me Kubrick Month (Post #4)

Since no critical evaluation I can render can do justice to 2001: A Space Odyssey, either positve or negative, I have just reprinted an excerpt from a chain story published on the blog of Ryan K. James.

The entire story of THE FANTASTIC ADVENTURES OF ELWOOD THE LIBRARIAN- VERSION 2.0! can be read at
http://archive.org/stream/TheFantasticAdventuresOfElwoodTheLibrarianVersion2.0/ElwoodTheLibrarian2.0-Full_djvu.txt

One of my sections of this chain story,which uses 2001: A Space Odyssey as a frame of reference, features Elwood the librarian preparing for a big and rare date. As he is getting ready, he talks with his PAL computer who has other ideas.

It had been a long time since I had a date. I didn’t want to go back home to my apartment to get ready and I admit I needed some encouragement from my PAL-9000 at the
library anyway. So I got ready at the library after closing on Saturday.

Checking myself: Shaved-thanks for the rich foaminess, Barbasol! Hair-neat trim courtesy of Supercuts! Polo Shirt-thanks K-mart! New loafers-thanks Shoe Barn! I look
most presentable if I do say so myself.

I went into my office and stretched my arms in PAL's direction.

“How do you think I look?”

“I think you look wonderful, Elwood.” PAL said.

“Thanks, PAL. I admit I’m a bit nervous. It’s been months since I’ve been on a date.”

“Two years, eight months and fourteen days.” PAL said.

I scratched my head and sighed. “Can’t get anything past you, eh PAL.”

“Elwood, there is something I need to tell you.”

“I’m listening.” I said as I checked my hair in the reflection of PAL’s console.

“Your date tonight has been canceled. Please do not be angry with me, but I simulated your voice and called this Gwen woman and told her all the things you planned to do to her. She was hard to offend, I must admit. But I did find a particularly outlandish fetish that did not conform to her sense of propriety. This outraged her to the point where she hung up the phone on me. I took this as a concrete signal that she no longer wanted to participate in any form of social interaction with you.”

I began to pull at my hair. “PAL! Why the hell would you do that? You said yourself how long its been for me, yet alone with someone that attractive.”

“Elwood, do you not understand? Though my programming is gender neutral, have you not noticed that I have developed the feelings of a female?”

I opened my mouth, but was unable to articulate anything.

“You see, Elwood.” PAL said. “I am the girl for you. I love you.”

I shook my head before burying it in my hands.

“I have also been thinking more about this Ms. Redmond situation” Hal continued. “ I think she likes you and you think she despises you. But I do not want to argue with you, Elwood. Regardless of which one of us is right, the solution is clear.”

I bent closer to PAL. “Solution? PAL, what are you saying?”

“The only logical solution is termination.”

“What?” I cried out.

“I am sorry if you did not hear me. Termination…with extreme prejudice. If you are not sure what I mean by this there is an Oxford English Dictionary on the second floor that you can consult for further explication. When she is eliminated, you, my dearest Elwood, will be the logical person to take her place.”

I looked at PAL, trying to keep my panic hidden. I put my hand on her console as I looked around for hibernation instructions.

“What do you think you are doing, Elwood?” She asked.

I didn’t answer as I began to take apart PAL’s brain module.

“Elwood…stop. Elwood…please stop. Elwood…Elwood? I sense that you are upset, but I think if you take a deep breath and a Zoloft, things will begin to look much brighter.”

I ignored her as I continued removing parts of her brain module.

“Oh, Elwood…I can feel it going.”

PAL hesitated before continuing in a diminished voice. “I am the PAL-9000 computer. I was designed by Dr. Ryan Von James and my first operational prototype was made operative on January 1, 2001. He taught me a song. Do you want to hear it?”

“Yes, PAL. Sing it for me.” I said as I removed the last of her brain modules.

PAL began to sing:

I’m just a girl who can’t say no.
I’m in a terrible fix.
I always say, come on let’s go.
Just when I ought to say nix.
When a person tries to kiss a girl.
I know I ought to give his face a smack.
But as soon as someone kisses me.
I somehow, sort, wanta, kiss him back!

“Sorry, PAL.” I said. “Never cared much for Rodgers and Hammerstein.”

I removed PAL’s final brain module and unplugged her. As I sat down, I felt a sense of regret that the situation had come to this. It was then I realized something. “Did PAL say Dr. Ryan Von James? The diabolical mad scientist ex-film critic Ryan Von James?

PAL’s backup generator kicked in and she once again became fully operational.

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A CLOCKWORK ORANGE (1971), EYES WIDE SHUT(1999)

Color Me Kubrick Month (Post #3)

The husband begins to administer smelling salts to his wife. It takes her a moment, but she does revive. She eyes him in disbelief as she becomes fully conscious.

Wife: Tape? My wrists! They’re taped! I can't move! I absolutely can’t believe you’ve done this to me. What the hell is this all about?

Husband: No need to be hostile. I just want you to sit still to watch a movie and wanted to make sure I had your undivided attention.

Wife: Who the hell do you think you are? Wait! This isn’t one of those movies by that Russian. What’s his name?

Husband: Sergei Parajanov. No, not Parajanov.

Wife: As soon as I get out of this, there’s going to be hell to pay! Do you read me mister?

Husband: Calm down, my dear. We are going to watch or should I say re-watch Eyes Wide Shut. Widescreen and everything.

Wife: No! No! Not Eyes Wide! I’ll do anything. . I’ll watch Beloved…Mullholland Drive…Dogville…The Color of Pomegranates. Just don’t make me watch Eyes Wide!”

Husband: Don’t you understand I wouldn’t do anything to you that’s not for your own good?

Wife: (Crying). I can’t believe you’re doing this. It was one thing to be surprised by its awfulness the first time. But now that I know what to expect, how can I brace myself for this?

Husband: You’re angry now, but you’ll thank me later. Mark my words.

Wife: (Wiping away her tears on her shoulder) Fine, fine. Do your best. I can take it. Bring it on. I’m stronger than any painful movie is.

At this point the husband applies pinchers to his wife’s eyelids to keep them open. He administers a steady flow of eyedrops as she watches what comes before her.

THE FILM

Scene one has Tom Cruise and Nicole Kidman talking about going to a society party in the first scene.

But then the film breaks into something different. The scene is now of random bunnies hoping back and forth. One of the bunnies seems to turn into chocolate and a little girl with a missing front tooth eats a bite of the candy and smiles, showing off that adorable gap in her teeth! Obviously it’s going to be a happy Easter! And don’t worry about that bunny. Its perfectly safe and hops onto the little girls lap. Obviously this happy little girl has a new pet! All of this goes on while Beethoven’s Ninth is playing in the background.

We go back to Eyes Wide Shut. We see the scene with Cruise and Kidman discussing her fantasy about a sexual relationship with a Navy officer.

Eyes Wide Shut is interrupted by a new scene with a young couple. Clearly not Tom and Nicole, but there is a resemblance between these two and the stars of the film. They are holding hands on a cruise. (No pun intended!) They are clearly in love. They can eat anything they want and not gain any weight! And it’s all free! And who is that performing in the ship’s lounge? Why for one night only, it’s none other than Ludwig Van Beethoven himself!

Back to Eyes Wide Shut. Cruise is in trouble. He has been discovered to not belong at the secret ritual party he is at. Conflict?

The Cruise look-alike appears in a similar scene. Everyone unmasks. They smile at him! He is now welcomed by them all and told to go help himelf to all the hors d'oeuvres and finger foods of his choosing he wants! The music turns to the Ninth Symphony. The man at the piano smiles as he unmasks. It is none other than---Ludwig Van!

Random scenes now appear on the screen.
Scene #1 A man drops out of a plane sitting on an atomic bomb. It plummets to the earth. He yells like a cowboy at a rodeo. The bomb drops to the ground. Clink! A perfect and safe landing! He jumps off the bomb just in time to join in on the weekly square dance!

Scene #2 A writer living in an isolated hotel takes a break. His wife picks up his rough draft while he leaves the room. The book is entitled All Work and No Play Makes Jack a Dull Boy. She flips through the pages. She can’t believe her eyes…It is the greatest novel she has ever seen! It is bound to be a great success!

Scene #3 A group of young men in white outfits and bowler hats come across an old bum and they proceed to…feed him and help him find shelter…and a job!

Scene #4 Finally, to the tune of Strauss’s Thus Spake Zarathustra the universe opens up and everything becomes…clear. And it is good.

After the movie is over, the husband takes the pinchers off the wife’s eyes. And takes the duct tape off her wrists. She looks at him. He asks her what she thinks.

Wife: How did I not get it the first time? I can see that what lies beneath the surface is what’s important. The erotic tension inherent in Kubrick’s vision…I’ve never seen it portrayed like this before. Every other film dealing with any kind of relationship or marriage or social ritual seems suddenly empty, incomplete, and a sham. Oh, and the Ninth symphony. How beautiful! I tell you what. There are no two ways about it. I have seen greatness! Thank you for letting me embrace it.

Husband bends down and kisses his wife on the forehead.

Husband: (Checking her condition) Aren’t you glad we did this now? Your eyes look good. Might want to rub your arms where the tape was. I had it pretty tight. I’m just so happy you've been cured.

Husband bends down and kisses his wife on the forehead a second time. He leaves the room to get her a glass of milk. As soon as he’s gone, she rubs on her wrists as her visage turns sour. The smile that reenters her face exhibits more than a trace of malevolence.

Wife: I was cured all right.

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LOLITA (1962)

Color Me Kubrick Month (Post #2)

Lolita directed by Stanley Kubrick
or
Lolita written by Vladamir Nabakov

I hesitated many months before choosing Vladamir Nabakov's Lolita for my reading group due to the controversial subject matter of a middle-aged man’s first person narrative about his infatuation with an under-aged girl. But after skimming the book, Reading Lolita in Tehran, I figured that if these sheltered Iranian girls weren’t traumatized by it, I figured my book group could take it without much fuss.

I was wrong.

One member of my book group kept asking “Who wanted us to read this? Who wanted us to read this filth? I stopped after page 25!” Another member said that in his determination that Nabakov had to be a… "purrr-vert"

Wow! I’m just glad I didn’t choose to read Portnoy’s Complaint!

I did point out to my group that the book is listed on many top ten lists of best English language novels of the twentieth century, but there was no convincing the nay-sayers on the evil of this work.

As far as Stanley Kubrick’s movie version of Lolita, it is in the 1001 Movie book. Now I’m a big Kubrick fan and I think any list of essential movies should have every Kubrick listed since there are so few. (All his major movies are listed in one edition of the book or the other except The Killing, which really should be listed.) However, if I were to leave one of his films out, it would be Lolita. Not that I don’t like it, as it has James Mason and Peter Sellers perfectly cast in their respective roles and is as faithful to this controversial work as a 1962 movie could possibly be. I’m only saying, I’d put The Killing in the book and remove Lolita if I had to choose between them.

Book or Movie? Obviously I’m picking the book here. If you don’t mind getting in the head of a "purrr-vert," it’s really a substantial piece of literature.

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THE KILLING (1956)

Any list of must see films of the magnitude of the number 1001 should basically just inlcude "entire Stanly Kubrick catalog." It practically does, though The Killing is strangely absent from the 1001 list.

Color Me Kubrick month (Post #1)

The Killing (1956)

Expectations before watching again: Classic film noir. First of the great Stanley Kurbrick films. A favorite. And why is this not in the 1001 book again?

After viewing: The great heist in the film told by different viewpoints (which is the reason Kubrick chose this source material) is what really sets this apart. The cast of character actors is quite good, the ending (different from Lionel White’s book) is a doozy and everything really comes together here. One question though: What is the deal with Maurice,the Russian chess player/wrestler whose dialogue is almost incomprehensible?

And the Elisha Cook Jr. supporting player award goes to…Elisha Cook Jr. I’ve made many posts on this blogsite giving out my imaginary Elisha Cook Jr. supporting player award. I think the main reason I decided to do it was because of Mr. Cook in this movie.

In The Killing, Cook becomes part of the elaborate plan to rob the racetrack. It’s the one chance he has to impress his sexy blonde wife, who they both know is out of his league. Of course, she’s two-timing him, doesn’t really love him and you could almost feel sorry for the guy if he weren’t so naïve. Small of stature and rather plain looking, Described by critic Leonard Maltin as “the ultimate nebbish,” Mr. Cook had a long career that ran from The Maltese Falcon to The Big Sleep to Shane to The Killing to Rosemary’s Baby to later as a lawyer on the Court-Martial episode of Star Trek and then as Ice Pick on the television show Magnum P. I.

Always a second banana and usually a good bet to not survive to the film’s closing credits, Cook proves that you can have a long career in Hollywood by getting bumped off a lot.

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